Saturday, 20 October 2012
Colour
I am getting there - slowly. Despite the temptation to do the opposite, I am taking my time which means I probably won't get it done by the due date. As my grandmother would say, better to be sure than sorry. I am including a photo of images on the floor near the loom that I refer to often re. colour of the Kimberleys and the train trip. The thing that surprised me was how much green there was. I often put pictures up on the computer as I can see how things are progressing with the weaving.
I have posted 2 blogs in 5 days; anything to avoid work.
Wednesday, 17 October 2012
Accents
Today I am having a day free of house issues, workshops, tapestry weaving and assignments and just fiddling around - mainly catching up on my life; which is nice. The last 2 days I attended a workshop at Open Drawer on Patterning - historical traditions and innovative variations given by Ruth Hadlow which I have found very demanding but very useful. There were only six in the class and the workshop focused on experimentation and a subjective open - ended approach and exploration of patterning; e.g. we drew with scissors which is very freeing. At the end of the two days, I have come away with a subject matter to research which I can use in designing tapestries. However there is much research to do and in areas that I have never dreamt of.
In discussing my response to one of the exercises we had to do, Ruth questioned (she asks more questions than I do) why a particular thing worked and it was because of an, unintentional on my part, flick of colour on a white page with black writing. Which reminded me of a suggestion made to me about the fish shape in my tapestry.
It was suggested to me that the fish looked blocky and lacked reference to the surrrounding area and I should add some yellow to heighten interest and enliven the shape.
I know the 2nd picture is a little lighter, but I think it works.
In discussing my response to one of the exercises we had to do, Ruth questioned (she asks more questions than I do) why a particular thing worked and it was because of an, unintentional on my part, flick of colour on a white page with black writing. Which reminded me of a suggestion made to me about the fish shape in my tapestry.
It was suggested to me that the fish looked blocky and lacked reference to the surrrounding area and I should add some yellow to heighten interest and enliven the shape.
I know the 2nd picture is a little lighter, but I think it works.
Saturday, 6 October 2012
Faces
![]() | ||||
| The cartoon |
![]() |
| The tapestry |
Monday, 24 September 2012
On third of the way - nearly.
Sunday, 16 September 2012
Changing My Mind
I know I said that I had decided not to pull out my weaving any more but I have changed my mind; a lady's prerogative. My mentor had a look at my work and thought my Darwin piece was a bit flat due to not varying the colours I used. I took her advice and pulled it out , most of it and redid it. As you can see in the photos, the 2nd version looks a lot better. My big tapestry is taking ages because I am taking my time. By the end of this week, I would like to be 1/3 of the way through. I have not done any weaving for 10 days due to upheavals in my life, but I should have a relatively clear run for the next little while. Despite the time I am taking, I am enjoying it. Next time I have to design a tapestry I will employ the KISS strategy.
Sunday, 9 September 2012
Spring
![]() |
| A large patch of clivias |
![]() |
| Native hibiscus |
![]() | |||||
| A close up of the native hibiscus. |
![]() |
| Orange salvia |
![]() | ||
| Here you can see a touch of red in the leaves of the rose called whisky/brandy which has strong orange flowers. |
I think I am a bit addicted to purple; my violets are still flowering.
Thursday, 30 August 2012
ATW Blends
I have selected a few of the ends from the ATW which show how they blend colours and yarns. Most of them are a combination of both wool and cotton. The 2 mauve blends on the left are from the Alice Bayke tapestry. The next picture of one of them has 4 wool strands and 10 threads of stranded cotton, 6 white and 4 mauve; I think it was used in the lace part of her dress. I don't use as many threads when I blend. For my large tapestry I am using 5 strands in my weft, mostly 4 strands of wool and 2 of cotton; I find the cotton lightens the effect.
Most of the wool I used for Tim's Tapestry was ends; saved myself both money and time as I already had the bag of ends and who am I to argue with experts in blending colours.
Subscribe to:
Posts (Atom)















